Not One Shall Leave video and score release

This is pretty cool and just out today. The Ex-Aequo Artists guitarist collective undertook a MASSIVE project to commission 9 Black American composers to write new works for the classical guitar: Changing the Canon. I was one of them and wrote a piece based on a scene from Hindu scripture. You can see all 9 works in the playlist at the side. Bravo to Phil Goldenberg for performing my incredibly difficult piece with such tremendous skill and musicality and congrats to all involved. BRAVI!

Thomas FlippinComment
Take the rough with the smooth.
Music is my profession, and what I love to do. All the rest that goes with it is either fortunate or unfortunate. You have to take the rough with the smooth. I wouldn’t do it unless I got something from it—and I do. I’m stimulated by the feeling of an audience in a concert, that I can give pleasure to them. It gives me a pure yet beautiful reason for the pursuit of excellence. I have to play the guitar often, and that is something I really want to do well. I suppose I’m “locked in,” but it sometimes gives me immense pleasure to be so confined!
— Julian Bream Interviewed in Classical Guitar Magazine (May-June 1983)
Thomas FlippinComment
New Video: Byblos by Mary Kouyoumdjian

Premiered at the 2020 Guitar Foundation of America convention, this video performance depicts the ancient Lebanese city of Byblos. Kouyoumdjian had traveled there before composing this piece for Duo Noire and electronic backing track.

Thomas Flippin Comment
Why I Do It...

 I don’t satisfy people with their usual menu, the usual way of eating what they enjoy. I’m not young anymore, and I had spent quite a long time fighting, suffering, asking myself what I was doing and actually, why I do it. Then at a certain point in my life I decided that it is not my duty to be liked and loved by everybody. My duty is only and alone to bring my vision of the piece with me.’

- Patricia Kopatchinskaja, violinist. Interview in The Strad

Thomas FlippinComment